Getting the Hands Dirty
Getting the Hands Dirty
复制标题
弄脏手
作者：
John Richards
摘要 “亲自动手”是指流程和绩效密不可分的方法。 “表演”从工作台开始，通过现场拼凑延伸到“舞台”。 “肮脏”的概念被视为现场电子音乐过程中的一个关键因素，“肮脏电子”一词被用来描述电子音乐中对面对面、仪式、手势、触摸、社交互动和对设计乐器的探索的共享体验的日益关注。作者的结论是，数字技术只是强化了人体和身体在现场表演中的重要性。
ABSTRACT “Getting the hands dirty” refers to an approach in which process and performance are inseparably bound. The “performance” begins on the workbench and is extended onto the “stage” through live bricolage. The idea of “dirt” is seen as a critical ingredient in the process of live electronic music, and the term “dirty electronics” is used to describe an increasing focus in electronic music on shared experiences face-to-face, ritual, gesture, touch, social interaction and the exploration of devised instruments. The author concludes that digital technology has merely reinforced the importance of the human body and the physical in live performance.