ICONOCLASM
ICONOCLASM
复制标题
破坏偶像主义
DOI：
10.7208/chicago/9780226445502.001.0001
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发表时间：
2021
期刊：
影响因子：
--
通讯作者：
David Freedberg
中科院分区：
文献类型：
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作者：
David Freedberg
圣像破坏运动（Iconoclasm）是一个现代名称，用来描述关于基督、玛利亚和圣徒肖像在东正教虔诚实践中的合法性的辩论，这场辩论始于720年代，并在843年以“东正教的胜利”告终。它从两个方面对拜占庭文化产生了影响。首先，它确定了视觉传达在东正教虔诚实践和神学核心的重要性。其次，通过确立圣徒的形象（圣像）允许信徒向所描绘的圣徒祈祷，九世纪出现的亲形象主义确保了所有信徒——不仅仅是牧师——都有平等的机会接近神。
Iconoclasm is the modern name used to describe the debate about the legitimacy of portraits of Christ, Mary, and the saints in Orthodox devotional practice that began in the 720s and was resolved with the “triumph of Orthodoxy” in 843. It had an impact on Byzantine culture in two fundamental ways. First, it sealed the importance of visual communication at the heart of Orthodox devotional practice and theology. Second, by establishing that images of saints (icons) allowed the believer to channel prayers to the saint portrayed, the pro-image doctrine that emerged in the ninth century ensured that all believers—not just priests—had equal access to the divine.