Network[ed] Listening—Towards a De-centering of Beings
Network[ed] Listening—Towards a De-centering of Beings
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网络[ed]倾听——走向存在的去中心化
DOI：
10.1080/07494467.2013.775807
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发表时间：
2013
影响因子：
0.4
通讯作者：
F. Schroeder
中科院分区：
文献类型：
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作者：
F. Schroeder
在本文中，我质疑在网络音乐表演环境中的收听模式，并特别借鉴了我作为一名表演者在这些场景中收听的经验。我在当前音乐制作的背景下讨论了网络听力，并提到了作曲实践的变化，这些变化引起了对听力的特别关注。我认为，这些成分的发展发挥了决定性的作用，在阐明一个新的话语听。埃里克·塞弗的家具音乐概念，谢弗关于减少聆听的想法，奥利维罗斯的深度聆听实践以及数字音乐平台都表明了聆听体验的发展。我扩大这种叙事的网络性能环境中的听力练习，并确定一个特定的身体脆弱性，在听和网络。这种脆弱的倾听状态和去中心化的表演存在让我可以与日本的艺术形式Butoh和Elaine Scarry对美的比喻进行比较。我自己的表演经验，设置在几个关键文本的背景下，让我看到网络[艾德]听力作为一个理想的correct状态，它提供了一个重新思考的线性概念的他者和一个主体自己与她的世界的关系。最终，网络[艾德]听力假定听力是一种身体和多维的体验，不断被技术，社会政治和文化问题重新塑造。
In this paper, I question modes of listening in network music performance environments, and specifically draw on my experience as a performer listening in these scenarios. I situate network listening within the context of current music making, and refer to changes in compositional practices that draw specific attention to listening. I argue that some of these compositional developments play a determining role in articulating a new discourse of listening. Eric Satie's concept of Furniture Music, Schaeffer's ideas on reduced listening, Oliveros' deep listening practices as well as digital music platforms all serve to show a development towards a proliferation in listening experiences. I expand this narrative to listening practices in network performance environments, and identify a specific bodily fragility in listening in and to the network. This fragile state of listening and de-centered kind of performative being allow me to draw parallels to the Japanese art form Butoh and Elaine Scarry's metaphor of beauty. My own performance experiences, set within the context of several critical texts, allow me to see network[ed] listening as an ideal corporeal state, which offers a rethinking of linear conceptions of the other and a subject's own relation with her world. Ultimately, network[ed] listening posits listening as a corporeal and multi-dimensional experience that is continuously being re-shaped by technological, socio-political and cultural concerns.