Theater of the oppressed
Theater of the oppressed
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被压迫者的剧场
DOI：
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发表时间：
1980
期刊：
影响因子：
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通讯作者：
Emily Fryer
中科院分区：
文献类型：
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作者：
Augusto Boal;Charles A. Mcbride;Marianna McBride;Emily Fryer
正如文盲已被证明是统治阶级的武器一样，奥古斯托·波尔也证明戏剧不仅是资产阶级控制的武器，而且是革命的武器。他展示了戏剧如何反映统治阶级的控制，借鉴亚里士多德和马基雅维利的理论。然后，他展示了在布莱希特/马克思主义诗学中颠倒的过程。所有的理论都与他自己在拉丁美洲的革命戏剧经验有关，并以秘鲁人民剧院的练习和游戏为例加以说明。这是一部关于激进戏剧的经典著作。Boal恢复了戏剧作为一种流行的交流和表达形式的应有地位，并指出了将观众转变为演员的革命潜力。
As illiteracy has been shown to be a weapon of the ruling class, so Augusto Boal shows theatre to be a weapon, not only of bourgeois control but of revolution. He demonstrates the ways in which theatre has come to reflect ruling-class control, drawing on the theories of Aristotle and Machiavelli. He then shows the process reversed in Brechtian/Marxist poetics. All the theory is related to his own experience of revolutionary theatre in Latin America, and illustrated with practical examples of exercises and games used in the People's Theatre of Peru. This is now a classic text on radical drama. Boal restores theatre to its proper place as a popular form of communication and expression, and points to the revolutionary potential of transforming the spectator into the actor.