A Constructivist Gesture of Deconstruction. Sound as a Cognitive Medium
A Constructivist Gesture of Deconstruction. Sound as a Cognitive Medium
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解构主义的建构姿态。
DOI：
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发表时间：
2014
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影响因子：
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通讯作者：
A. Di Scipio
中科院分区：
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作者：
A. Di Scipio
作者概述了一系列以干扰模式为标题的现场电子作品中所采用的方法，并更详细地描述了该系列的第三件作品，即使用三把或更多电吉他、扩音器和计算机的音响装置。该装置实现了与周围环境在结构上耦合的声波相互作用的反馈网络，开发了一种自主(即自我调节)和动态的声音生成系统。然而，它也与电吉他作为一种具有强烈标志性地位的文化对象有关，尤其是与电吉他的音色及其在摇滚乐修辞学中的作用有关。因此，这项工作被描述为将“建构主义”视角转向更概念化的“解构”任务。作者阐述了声音作为情境具身认知的媒介，使我们能够体验其产生背后的权力关系以及它在时间上的表达。
This author outlines the approach taken in a series of live-electronics works whose title is Modes of Interference, and describes more particularly the third work in the series, a sound installation using three or more electric guitars, amplifiers and computer. This installation implements a feedback network of sonic interactions structurally coupled with the surrounding environment, developing a kind of autonomous (i.e. self-regulating) and dynamical sound-generating system. However, it also bears on the electric guitar as a cultural object of strong iconic status, and more particularly on the electric guitar sonorities and their role in the rhetorics of rock music. The work is thus described as bending a ‘constructivist’ perspective to a more conceptual task of ‘deconstruction’. The author elaborates on the idea that, as a medium of situated embodied cognition, sound allows us to experience the power relationships that lie behind its coming into existence and its articulation in time.