Visual Framing of the Early Weeks of the U.S.-Led Invasion of Iraq: Applying the Master War Narrative to Electronic and Print Images
Visual Framing of the Early Weeks of the U.S.-Led Invasion of Iraq: Applying the Master War Narrative to Electronic and Print Images
复制标题
美国领导的入侵伊拉克最初几周的视觉框架：将战争叙事大师应用于电子和印刷图像
DOI：
10.1080/08838150802205702
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发表时间：
2008
影响因子：
3.2
通讯作者：
Susan Keith
中科院分区：
文献类型：
--
作者：
Carol B. Schwalbe;B. Silcock;Susan Keith
对来自美国主流媒体-网络和有线电视新闻媒体，新闻网站，报纸和新闻杂志-的1，822张图像的内容分析显示，美国的视觉框架- 2003年，美国领导的对伊拉克的入侵从冲突转向了人类利益。在战役的前5周，5个不同的主题震慑、征服军队、英雄、胜利和控制经常围绕着标志性的图像结合在一起，并支持其他学者认为的“主战争叙事”。这些视觉框架反映了从南北战争到海湾战争的美国历次战争开始时，媒体内容中政府倡导的爱国主义观点。
A content analysis of 1,822 images from U.S. mainstream media—network and cable television news outlets, news Web sites, newspapers, and news magazines—revealed that the visual framing of the U.S.-led invasion of Iraq in 2003 shifted from conflict to human interest. During the campaign's first 5 weeks, 5 distinct scenarios—shock and awe, conquering troops, hero, victory, and control—often coalesced around iconic images and supported a “master war narrative” identified by other scholars. These visual frames reflected a government-promoted patriotic perspective seen in media content at the outset of previous U.S. wars, from the Civil War through the Gulf War.