Influences of rhythm- and timbre-related musical features on characteristics of music-induced movement.
Influences of rhythm- and timbre-related musical features on characteristics of music-induced movement.
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DOI：
10.3389/fpsyg.2013.00183
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发表时间：
2013
影响因子：
3.8
通讯作者：
Toiviainen P
中科院分区：
文献类型：
--
作者：
Burger B;Thompson MR;Luck G;Saarikallio S;Toiviainen P
音乐让我们感动。有几个因素可以影响这些动作的特征，包括个人因素或音乐特征。在这项研究中，我们调查了与节奏和音色相关的音乐特征以及节奏对动作特征的影响。60名参与者被呈现了代表不同风格的流行音乐的30个音乐刺激，并被指示跟随音乐移动。光学动作捕捉被用来记录参与者的动作。随后，从数据中计算提取了8个动作特征和4个与节奏和音色相关的音乐特征，同时在知觉实验中评估了节奏。随后的相关分析显示，例如，清晰的脉搏似乎体现在全身，即通过使用身体不同部位的各种运动类型，而光谱流量和敲击力被发现与身体某些部位，如头部和手的运动，有更明显的关系。一系列的单因素方差分析将刺激分为三组，每组五个刺激，根据速度进行分析，结果显示两组之间没有显著差异，这表明我们设置的刺激的速度对运动特征没有影响。总的来说，这些结果可以与体验式音乐认知的框架联系在一起，因为它们表明身体动作被用来反映、模仿和预测音乐特征。
Music makes us move. Several factors can affect the characteristics of such movements, including individual factors or musical features. For this study, we investigated the effect of rhythm- and timbre-related musical features as well as tempo on movement characteristics. Sixty participants were presented with 30 musical stimuli representing different styles of popular music, and instructed to move along with the music. Optical motion capture was used to record participants’ movements. Subsequently, eight movement features and four rhythm- and timbre-related musical features were computationally extracted from the data, while the tempo was assessed in a perceptual experiment. A subsequent correlational analysis revealed that, for instance, clear pulses seemed to be embodied with the whole body, i.e., by using various movement types of different body parts, whereas spectral flux and percussiveness were found to be more distinctly related to certain body parts, such as head and hand movement. A series of ANOVAs with the stimuli being divided into three groups of five stimuli each based on the tempo revealed no significant differences between the groups, suggesting that the tempo of our stimuli set failed to have an effect on the movement features. In general, the results can be linked to the framework of embodied music cognition, as they show that body movements are used to reflect, imitate, and predict musical characteristics.
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影响因子：
2.3
作者：
Leman, Marc;Naveda, Luiz
通讯作者：
Naveda, Luiz
DOI：
10.3758/bf03212238
发表时间：
1992-02-01
期刊：
PERCEPTION & PSYCHOPHYSICS
影响因子：
--
作者：
COLLYER, CE;BROADBENT, HA;CHURCH, RM
通讯作者：
CHURCH, RM
影响因子：
3.3
作者：
Luck, G.;Saarikallio, S.;Toiviainen, P.
通讯作者：
Toiviainen, P.
影响因子：
3.6
作者：
Bengtsson, Sara L.;Ullen, Fredrik;Sadato, Norihiro
通讯作者：
Sadato, Norihiro
DOI：
10.1523/jneurosci.2018-08.2009
发表时间：
2009-06-10
期刊：
The Journal of neuroscience : the official journal of the Society for Neuroscience
影响因子：
--
作者：
Grahn JA;Rowe JB
通讯作者：
Rowe JB