Musical Performance as Interpretation
Musical Performance as Interpretation
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音乐表演作为诠释
DOI：
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发表时间：
1995
期刊：
影响因子：
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通讯作者：
Henry Shaffer
中科院分区：
文献类型：
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作者：
Henry Shaffer
专家钢琴家演奏的巴赫、肖邦和贝多芬的作品均由电脑录制。表演的时机和动态与音乐结构的分析有关。结构和表达的比较使我们能够将表演视为阐明结构和创造音乐特征。性格是对音乐中感知到的大规模结构和情绪的表达模式，因此它本质上是一种富有想象力的构造。这个概念是完整的表演认识论所必需的，迄今为止，表演认识论往往集中在解释的结构方面。
Performances by expert pianists of works by Bach, Chopin and Beethoven were computer recorded. The timing and dynamic of performance were examined in relation to analyses of the musical structure. Comparisons of structure and expression enable us to consider performance as both elucidating structure and inventing a musical character. Character is the patterning of expression in response to large-scale structures and moods perceived in the music, and as such it is essentially an imaginative construct. This concept is needed for a full epistemology of performance, which hitherto has tended to concentrate on the structural aspect of interpretation.