Cinematography as a Medium of Communication: The Promotion of Research by the League of Nations and the Role of Rudolf Arnheim
Cinematography as a Medium of Communication: The Promotion of Research by the League of Nations and the Role of Rudolf Arnheim
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电影作为传播媒介：国际联盟的研究推广和鲁道夫·阿恩海姆的作用
DOI：
10.1177/0267323191006003005
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发表时间：
1991
影响因子：
2.4
通讯作者：
J. Wilke
中科院分区：
文献类型：
--
作者：
J. Wilke
下面这篇文章描述了20世纪传播研究史上一个几乎不为人知的插曲。它开始于20世纪20年代，国际联盟倡议促进对电影摄影这一新兴媒体的科学方法，这开始了二十世纪（音频）视觉传播的扩展。德国人鲁道夫·阿恩海姆（Rudolf Arnheim）参与了这些活动，他后来成为美国传播研究和视觉美学的创始人之一。这段插曲表明，制度的先决条件如何与科学中的个人传记联系在一起，而个人传记又被植入了这个世纪的悲惨历史事件中。
The following article describes an as yet almost unknown episode in the history of twentieth-century communication research. It starts in the 1920s with initiatives by the League of Nations to promote scientific approaches to the fledgling medium of cinematography, which began the expansion of (audio)-visual communication in the twentieth century. In these initiatives a German, Rudolf Arnheim, was involved, who later became one of the founding fathers of communication research and visual aesthetics in the United States. The episode shows how institutional preconditions were connected with an individual biography in science, which furthermore was implanted in the tragic historical events of this century.