Locating the Postcolonial in Transnational Cinema: The Place of Algerian Émigré Directors in Contemporary French Film
Locating the Postcolonial in Transnational Cinema: The Place of Algerian Émigré Directors in Contemporary French Film
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在跨国电影中定位后殖民：阿尔及利亚流亡导演在当代法国电影中的地位
DOI：
10.1080/09639480601115284
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发表时间：
2007
影响因子：
0.3
通讯作者：
W. Higbee
中科院分区：
文献类型：
--
作者：
W. Higbee
本文聚焦于自20世纪80年代初以来在法国工作的四位阿尔及利亚移民导演的作品：Merzak Allouache，Abdelkrim Bahloul，Okacha Touita和Mahmoud Zemmouri，以解决特定后殖民背景下的跨国电影问题。它考虑了这些导演选择的电影如何借鉴法国（欧洲）电影的传统，并将其与法国阿尔及利亚侨民的特殊性（和差异）联合收割机相结合。在这个过程中，它探讨了如何跨国代表性带来的问题，在当代（后殖民）法国的僵化和固定的概念，民族电影和文化身份的有效性。
This article focuses on the work of four Algerian émigré directors working in France since the early 1980s: Merzak Allouache, Abdelkrim Bahloul, Okacha Touita and Mahmoud Zemmouri, in order to address questions of transnational cinema(s) in a specifically postcolonial context. It considers how selected films by these directors borrow from the traditions of French (European) cinema and combine them with the specificities (and difference) of the Algerian diaspora in France. In the process, it explores how such transnational representations bring into question the validity of both national cinema and cultural identity as rigid and fixed concepts in contemporary (postcolonial) France.