Wordsworth Reshapes Himself and Is Reshaped: The River Duddon and the 1820 Miscellaneous Poems
Wordsworth Reshapes Himself and Is Reshaped: The River Duddon and the 1820 Miscellaneous Poems
复制标题
华兹华斯重塑自己并被重塑：达登河和 1820 年杂诗
DOI：
10.1086/707686
复制
发表时间：
2020
期刊：
影响因子：
--
通讯作者：
Manning P
中科院分区：
文献类型：
--
作者：
Manning P
四卷本的《杂诗》引起了一些评论家的极大关注。[1]然而，它介于自我推崇的18152年的《诗歌，包括抒情歌谣》和1836- 1837年版的《诗歌作品》（The Poetical Works）之间，后者更具包容性，并进一步修订，共六卷，卷首插图由HW·皮克斯吉尔（HW Pickersgill）绘制，于1840年、1841年和1843年以刻板形式重印。1820年，华兹华斯为了重新巩固自己的声誉，曾经历过种种相互竞争的压力。在下文中，我将主要分析在这一计划中三个冲动之间产生的紧张关系：确立自己作为民族诗人的地位，记录他对时间流逝的意识，以及超越时间的艺术稳定性。1820年，华兹华斯的第一本出版物是《杜登河，十四行诗系列：沃德拉库尔和朱莉娅：以及其他诗歌》。附件是4月下旬出版的《英格兰北部湖区地形图》。这33首十四行诗追溯了这条河的起源，正如引言中所说的那样，它起源于“威斯特摩兰、坎伯兰和兰开夏郡的边界”，直到它坠入爱尔兰海，上演了诗人对起源的探索：“我寻找一条原生溪流的诞生地”（I：9）。这个序列同时在几个层次上进行，从早晨到晚上，从生到死（和永恒），并从过去到现在，但华兹华斯强调首要的实际地形加入十四行诗系列的扩大版本，他的“介绍一些意见的湖泊，由牧师约瑟夫威尔金森”从1810年，他的理由是“它是以同样的精神写的，这种精神支配了几首诗，并且相信它将倾向于在物质上说明
The four-volume collection of Miscellaneous Poems has attracted significant attention from several critics. 1 Yet located between the self-canonizing Poems, Including Lyrical Ballads of 18152 and the more inclusive and further revised six-volume 1836–37 edition of The Poetical Works with the frontispiece portrait by HW Pickersgill, reprinted in stereotype in 1840, 1841, and1843, it would be easy to look past the competing strains in Wordsworth’s efforts to consolidate anew his reputation in 1820. In what follows I shall be concerned chiefly to parse the tensions arising between three impulses in that project: to establish himself as a national poet, to record his awareness of passing time, and to posit the stability of art beyond time. Wordsworth’s first publication in 1820 was The River Duddon, A Series of Sonnets: Vaudracour and Julia: and Other Poems. To which is annexed, A Topographical Description of the Country of the Lakes, In the North ofEngland, which appeared in late April. The thirty-three sonnets track the river from its origins “on the confines of Westmorland, Cumberland, and Lancashire,” as the introductory statement declares, to its fall into the Irish Sea, staged as the poet’s quest for origins:“I seek the birth-place of a native Stream”(I: 9). The sequence proceeds on several levels at once, from morning to evening, from life to death (and eternity), and from past to present, but Wordsworth emphasizes the primacy of the actual topographical by joining to the sonnet series an expanded version of his “Introduction to some Views of the Lakes, by the Reverend Joseph Wilkinson” from 1810, justified by “its having been written in the same spirit which dictated several of the poems, and from a belief that it will tend materially to illustrate
登录
查看更多内容
华兹华斯与民族写作
DOI：
--
发表时间：
2008
期刊：
影响因子：
--
作者：
J. Garrett
通讯作者：
J. Garrett
达登河和华兹华斯，十四行诗
DOI：
--
发表时间：
2015
期刊：
影响因子：
--
作者：
D. Robinson
通讯作者：
D. Robinson
DOI：
--
发表时间：
--
期刊：
影响因子：
--
作者：
P. Shelley;G. Woodberry
通讯作者：
G. Woodberry
DOI：
--
发表时间：
2011
期刊：
影响因子：
--
作者：
W. Wordsworth
通讯作者：
W. Wordsworth
亨利·克拉布·罗宾逊的日记、回忆录和书信......
DOI：
--
发表时间：
2009
期刊：
影响因子：
--
作者：
H. Robinson;Thomas Sadler
通讯作者：
Thomas Sadler