Post-imperial affinities and neoliberal convergences: discourses and practices of collaboration between the Nigerian and the Indian film industries
Post-imperial affinities and neoliberal convergences: discourses and practices of collaboration between the Nigerian and the Indian film industries
复制标题
后帝国的亲和力和新自由主义的融合：尼日利亚和印度电影业之间的合作话语和实践
DOI：
10.1177/0163443717703794
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发表时间：
2018
期刊：
影响因子：
--
通讯作者：
Alessandro Jedlowski
中科院分区：
文献类型：
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作者：
Alessandro Jedlowski
过去三十年来，南南经济互动倍增。在这一格局中，媒体行业已经在软实力和硬经济利益的十字路口占据了重要的地位。许多研究分析了媒体产品的南南流通，但正在进行的互动的许多方面仍未得到充分研究。本文通过分析过去几年印度和尼日利亚电影业之间出现的合作话语和实践，为这一新兴的学术领域做出了贡献。本文通过分析尼日利亚南部和印度一些试图开展跨国合作的电影专业人士的经历，探讨了诺莱坞和宝莱坞之间存在的模糊关系，并探讨了它们之间建立有效互动的前景。
Over the past three decades, South-South economic interactions have multiplied. Within this landscape, media industries have come to occupy a relevant position, at the crossroad between soft power and hard economic interests. Numerous studies analysed the South-South circulation of media products, but many aspects of the ongoing interactions remain under-researched. This article contributes to this emerging field of scholarship by analysing the discourses and practices of collaboration that have emerged between the Indian and the Nigerian film industries over the past few years. By analysing the experiences of a few southern Nigerian and Indian film professionals who attempted to develop transnational collaborations, this article investigates the ambiguities of the affinities existing between Nollywood and Bollywood and interrogates the prospects for the creation of effective interactions between them.