Visual representation of emotion in manga: Loss of control is Loss of hands in Azumanga Daioh Volume 4
Visual representation of emotion in manga: Loss of control is Loss of hands in Azumanga Daioh Volume 4
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漫画中情感的视觉表现：阿祖漫画大王第 4 卷中失去控制就是失去双手
DOI：
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发表时间：
2011
期刊：
影响因子：
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通讯作者：
C. Forceville
中科院分区：
文献类型：
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作者：
Michael Abbott;C. Forceville
漫画有很多方式来表达情感，从夸张的面部表情和手/手臂的位置到身体部位周围的曲线，肯尼迪（Kennedy，1982）称之为“图画符文”。根据埃克曼的说法，至少有些情绪——快乐、惊讶、恐惧、悲伤、愤怒、厌恶——是普遍存在的，但在漫画中表达的情况却不一定如此。虽然《Forceville》（2005）在 Asterix 专辑中绘制的许多标志性标记和图画符文也出现在日本漫画中，以表明角色正在生气，但筱原和松中也发现了似乎是漫画典型的标记和符文。在本文中，我们研究了东清彦的《东漫画大王》第 4 卷中传达角色受到情感影响的一个不寻常的信号：“失去双手”。我们的研究结果 (1) 展示了非面部信息如何帮助表达漫画中的情感； (2) 展示失去手如何有助于塑造东的女主角的性格； (3)支持概念隐喻理论中情感的理论化。
Comics and manga have many ways to convey the expression of emotion, ranging from exaggerated facial expressions and hand/arm positions to the squiggles around body parts that Kennedy (1982) calls ‘pictorial runes’. According to Ekman at least some emotions — happiness, surprise, fear, sadness, anger, disgust — are universal, but this is not necessarily the case for their expression in comics and manga. While many of the iconic markers and pictorial runes that Forceville (2005) charted in an Asterix album to indicate that a character is angry occur also in Japanese manga, Shinohara and Matsunaka also found markers and runes that appear to be typical for manga. In this article we examine an unusual signal conveying that a character is emotionally affected in Volume 4 of Kiyohiko Azuma’s Azumanga Daioh: the ‘loss of hands’. Our findings (1) show how non-facial information helps express emotion in manga; (2) demonstrate how hand loss contributes to the characterization of Azuma’s heroines; (3) support the theorization of emotion in Conceptual Metaphor Theory.