The influence of practice and pitch-distance between tones on the absolute identification of pitch.
The influence of practice and pitch-distance between tones on the absolute identification of pitch.
复制标题
练习和音间音距对音高绝对识别的影响。
DOI：
--
复制
发表时间：
1954
影响因子：
1.3
通讯作者：
E. B. Hartman
中科院分区：
文献类型：
--
作者：
E. B. Hartman
翻译后摘要：术语绝对音高习惯上意味着命名孤立的音乐音调的能力-少数人拥有的能力。这个设施的通常实验测试要求O通过名字来识别（C，G sharp，F等）。一系列单独出现的音调，每一个都与前一个相隔指定的时间间隔。如果O的平均判断误差满足一定的标准（音乐上的1或更小），他被认为具有绝对音高;如果他的误差超过了允许的最大值，他就不被认为具有绝对音高。为了扩展我们对音高在绝对判断中的作用的认识，本文提出了以下问题：在平均O能做出正确的绝对判断之前，一定数量的纯音在音高上必须被分开多大的距离？当O的间距越来越小时，绝对音高判断的准确性会发生什么变化？O接收到的关于该系列的信息量与音调之间的音高距离有什么关系？音高分离对绝对判断的影响是否受到练习的显著影响？废用如何影响能力？
Abstract : The term absolute pitch customarily implies an ability to name isolated musical tones--an ability possessed by few persons. The usual experimental test of this facility requires O to identify by name (C, G sharp, F, etc.) a series of tones presented singly, each being separated from the one preceding by a designated time-interval. If O's average error of judgment satisfies a certain criterion (musical semitone or less), he is said to have absolute pitch; if his error exceeds the maximum allowed, he is not credited with absolute pitch. In the interest of extending our knowledge about the role of pitch in absolute judgments, this paper poses the following questions: How widely must a given number of pure tones be separated in pitch before the average O can make correct absolute judgments? What happens to the accuracy of absolute judgments of pitch when O is presented smaller and smaller pitch separations? How is the amount of information which O receives about the series related to the pitch-distance between tones? Are the effects of pitch-separation on absolute judgments significantly influenced by practice? How does disuse affect the ability?