Techno-tourism and post-industrial neo-romanticism in Berlin’s electronic dance music scenes
Techno-tourism and post-industrial neo-romanticism in Berlin’s electronic dance music scenes
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柏林电子舞曲场景中的科技旅游和后工业新浪漫主义
DOI：
10.1177/1468797615618037
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发表时间：
2016
期刊：
影响因子：
2.4
通讯作者：
Luis
中科院分区：
文献类型：
--
作者：
Luis
这篇文章描述了柏林的“科技游客”：那些为了参与当地电子舞曲场景而反复回到这座城市的乐迷。基于采访，本文概述了这些有音乐头脑的旅行者，调查了他们的动机、态度、旅行模式，以及他们在工作和金钱方面使这种旅行模式成为可能的策略。它还将最近的旅游浪潮置于柏林更广泛的旅游历史中，并考虑其在当地流行话语中的代表性。当地关于旅游影响的争论反映在受访者对旅游身份的矛盾心理上，因为他们努力描述他们在空间上远离房屋和家园的亚文化场景中的社会文化归属感。
This article profiles the ‘techno-tourists’ of Berlin: music fans who return repeatedly to the city in order to participate in the local electronic dance music scenes. Based on interviews, this article sketches a profile of these music-minded voyagers, surveying their motivations, their attitudes, their patterns of travel and their strategies for making this mode of travel possible in terms of work and money. It also situates this recent wave of tourism within a broader history of tourism in Berlin, as well as considering its representation in local popular discourse. Local debates about the impact of tourism are reflected in interviewees’ ambivalence towards tourist identities, as they strive to describe the terms of their socio-cultural belonging within a sub-cultural scene that is spatially distant from house and home.