Last but not least - The Mona Lisa effect: is 'our' Lisa fame or fake?
Last but not least - The Mona Lisa effect: is 'our' Lisa fame or fake?
复制标题
DOI：
10.1068/p5452
复制
发表时间：
2006-01-01
期刊：
影响因子：
1.7
通讯作者：
Leder, H
中科院分区：
文献类型：
--
作者：
Carbon, CC;Leder, H
这个演示使用了最著名的人脸之一，莱昂纳多·达·芬奇的蒙娜丽莎·拉·乔康达的肖像画。通常，我们对这样一张熟悉的面孔的确切外形有一个非常准确和稳定的表示。通常，我们能够快速识别即使是细微的结构变化。然而，我们在这里表明，暴露在熟悉的面孔上进行特定的改变会大大降低这种能力，即使在长达80分钟的时间段内也是如此。这一演示说明了知觉系统的灵活性和对新信息的适应。
This demonstration uses one of the most famous human faces, the portrait of Mona Lisa, La Gioconda, by Leonardo da Vinci. Usually, we have a very accurate and stable representation of the exact configuration of such a familiar face. Typically, we are able to rapidly recognise even subtle configural changes. However, here we show that an exposure to specific alterations performed on a familiar face substantially reduces this ability even over a time period as long as 80 min. This demonstration illustrates the flexibility of the perceptual system and adaptation to new information.