A Telepresence Stage: or how to create theatre in a pandemic - project report
A Telepresence Stage: or how to create theatre in a pandemic - project report
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远程呈现舞台：或如何在大流行中创建剧院 - 项目报告
DOI：
10.1080/14794713.2021.2015562
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发表时间：
2021
影响因子：
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通讯作者：
Sermon P
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作者：
Sermon P
本报告描述了作者的研究项目“网真阶段”，该项目由艺术与人文研究委员会（AHRC）的“COVID-19快速反应”计划资助。该项目旨在开发有效且经济实惠的新方法，将来自不同家庭的表演者联系起来，并将他们放在虚拟的在线场景中，在那里他们可以一起排练和表演。报告讨论了远程信息处理表演的历史，并解释了这项研究如何利用其中一些既定方法，为在当前大流行期间和之后开展工作的戏剧和舞蹈公司开辟了其他可能性。到目前为止，该项目已经展示了一系列远程信息处理chromakey系统如何为基于视频会议的表演工作带来全新的创造力，将表演者的身体从Zoom盒子的束缚中解放出来，并将他们共同安置在专门设计的3D环境中。通过对该项目在专业表演团体中的八个驻地的案例研究，作者讨论了现有技术如何适应不同层次的经验，以及该项目如何提供新的工作方式。虽然大流行预计是一个有时间限制的问题，但这些技术对戏剧和舞蹈表演者和创作者的价值远远超出了“封锁”。
This report describes the authors’ research project ‘Telepresence Stage’, funded by the Arts and Humanities Research Council’s (AHRC) ‘COVID-19 Rapid Response’ scheme. The project aims to develop effective and affordable new approaches to connect performers from their separate homes and place them within virtual sets online where they can rehearse and perform together. The report discusses the history of telematic performance and explains how this research is using some of those established approaches to open up alternative possibilities for theatre and dance companies working in and beyond the current pandemic. To date, the project has shown how a range of telematic chromakey systems can be employed to bring a whole new level of creativity to videoconference-based performance work, freeing the performers’ bodies from the entrapment of Zoom boxes and co-locating them in specially designed 3D environments. Drawing on case studies from some of the project’s eight residencies with professional performance groups, the authors discuss how existing techniques have been adapted for different levels of experience, and how the project has offered new ways of working. Whilst the pandemic is expected to be a time-limited issue, these techniques hold value for performers and creators of theatre and dance well beyond ‘lockdown’.