Anamnesis
Anamnesis
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发表时间：
2004
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通讯作者：
J. Lyotard
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作者：
J. Lyotard
病历绘画是一种斗争，一种在产科中使用的强烈意义上的劳动，弗洛伊德在克服阻力时使用了这个术语。这幅绘画作品力求通过为我们提供视觉痕迹或符号来超越可见的范围。这是我们必须探讨的悖论。双重悖论：彩色材料将是看不见的，因为超出了可见范围，但它就是颜色。其次，一种在物质中、在时空中的姿态，通过这种姿态而延伸——这种姿态不是有意识的主体（即画家）的唯一结果。最重要的是，画家，就像女人或分析者一样，必须努力保持通道畅通，通过该通道，尚未到来的事物可能会到来：孩子、过去、当前情况下的色彩措辞，但它已经是潜在的生命、可能的记忆或最终的色差。有意识的主体对自己起作用，与自己合作或反对自己，以使它们都对可能性保持开放。眼睛已经准备好迎接绘画的姿态，准备好迎接无法预料的事情：事件。这并不是因为这个动作会突然爆发。相反，这是人们所期待和热切希望的。但它是一个事件，因为产生它的主体不知道、无法分析、也无法控制。在弗洛伊德临床实践的词典中，这项工作被称为“Durcharbeitung”，意为“工作通过”、“perlaboration”。重要的是要将它与记忆、记忆、回忆、记忆的运作区分开来。回忆和历史保留了被遗忘的东西。后者通过试图通过其见证人忠实于过去来做到这一点。回忆是由未知事物引导的，因为正是与不可预测性和隐形性的接触才使得事件发生。人们可以而且必须记住
Anamnesis PAINTING IS a struggle, a labour in the strong sense of the word as it is used in obstetrics, Arbeit as Freud used the term in relation to overcoming resistance. This work of painting strives to exceed the visible by means of providing us with a visual trace or sign. This is the paradoxical idea we must explore. A double paradox: chromatic material which will be unseen because beyond the visible, yet is colour. And, second, a gesture of and within substance, in and of the space-time that is extended through this very gesture – a gesture which is not the sole result of a conscious subject, namely the painter. Above all, the painter, like the woman or the analysand, has to labour to keep open the passage through which may come what has not yet come: the child, the past, the phrasing of colour in the present case, and which is nevertheless already potential life, possible memory or eventual chromatism. The subject who is aware works upon herself, with and against herself, to keep them all open to eventuality. The eye is ready for the pictorial gesture, prepared for what cannot be anticipated: the event. This is not because the gesture would erupt unexpectedly. On the contrary, it would have been expected and ardently wished for. But it is an event in that the subject giving birth to it does not know, cannot analyse and does not control. In the lexicon of Freudian clinical practice, this work is called Durcharbeitung, working through, perlaboration. It is important to distinguish it from the operation of memory, remembrance, mémoire, Erinnerung. Anamnesis and history keep present what is forgotten. The latter does this by trying to be faithful to the past, through its witnesses. Anamnesis is guided by the unknown, since it is engagement with unpredictability and invisibility that allows the event to happen. One can and must remember