Othering Voices and the Voice of the Other: The Depiction of Joseph Merrick in From Hell

Othering Voices and the Voice of the Other: The Depiction of Joseph Merrick in From Hell
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他者的声音和他者的声音:《来自地狱》中对约瑟夫·梅里克的描述

DOI:
10.1007/978-3-658-30116-3_7
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通讯作者:
Natalie Veith
Natalie Veith
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作者:
Natalie Veith

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专注于如何约瑟夫梅里克,也被称为“象人”,是描绘在艾伦摩尔和埃迪坎贝尔的漫画从地狱,这方面的贡献遵循双重的方法。首先,它展示了如何从地狱利用漫画中的具体可能性来描绘梅里克的语言障碍,以及如何使用这种风格的剧目将残疾转化为代理。尽管他在故事世界中处于弱势地位,但对他残疾的描述在话语层面上增加了他的个性,并强调了他出现的情节的象征意义。其次,这一贡献集中在漫画的正常化和媒体的权威力量的批判性描述。通过引用梅里克生活中以前的中介语料库,漫画突出了他的这种中介所处的必要的中介背景,从而揭示了“象人”作为一个复合媒体人物。
Focusing on how Joseph Merrick, also known as ‘The Elephant Man’, is depicted in Alan Moore and Eddie Campbell’s comicFrom Hell, this contribution follows a twofold approach. First, it shows howFrom Hellmakes use of the medium-specific possibilities of comics in depicting Merrick’s speech impairment and how this stylistic repertoire is used to turn disability into agency. Despite his underprivileged position within the storyworld, the depiction of his disability increases his individuality on the discourse level and emphasises the symbolic significance of the episodes in which he appears. Second, this contribution focuses on the comic’s critical depiction of the normalising and authoritative force of media. By referencing a corpus of previous mediations of Merrick’s life, the comic highlights the necessarily intermedial context within which such depictions of him are situated, thus revealing ‘The Elephant Man’ as a composite media figure.
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发表时间: 1989
期刊: PMLA/Publications of the Modern Language Association of America
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