From Logos to Landscape: Text in Contemporary Dramaturgy
From Logos to Landscape: Text in Contemporary Dramaturgy
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从标志到风景：当代戏剧中的文本
DOI：
10.1080/13528165.1997.10871532
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发表时间：
1997
影响因子：
0.1
通讯作者：
Hans
中科院分区：
文献类型：
--
作者：
Hans
在一种艺术形式的“起源”时刻，没有什么是理所当然的;因此，当试图理解戏剧艺术的最新发展时，反思最早的戏剧理论和文本在其中的地位是有益的。让我从一个简短的历史反思开始，在亚里士多德的《诗学》中，关于文本对戏剧的意义。虽然传统上认为文本在戏剧中起主导作用，但现在不再认为基于文本的戏剧是规则或标准。阅读《诗学》表明，即使在那个时候，文本也没有被认为是意义和感觉的唯一支持或载体。对亚里士多德来说，这是
At an artform's moment of'origin'nothing can yet be taken for granted; it can thus be rewarding to reflect on the earliest theories of theatre and the position of the text within it, when trying to understand the most recent developments in the art of theatre. Let me start with a short historical reflection on the significance of text for theatre in Aristotle's Poetics. Whilst the text has been traditionally considered as playing a leading role in the theatre, it is now no longer the case that a theatre based on text is considered either the rule or the standard. Reading the Poetics shows that even at that time the text was not considered as the exclusive support or vehicle of meaning and sense. For Aristotle it is part of the