Designing dmis for popular music in the brazilian northeast: lessons learned
Designing dmis for popular music in the brazilian northeast: lessons learned
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为巴西东北部的流行音乐设计 DMI：经验教训
DOI：
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发表时间：
2015
期刊：
影响因子：
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通讯作者：
M. Wanderley
中科院分区：
文献类型：
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作者：
J. Barbosa;Filipe Calegario;João Tragtenberg;G. Cabral;Geber Ramalho;M. Wanderley
关于新DMIS的设计，可以将大多数项目归结为两个主要案例：由学术研究中心开发的项目，重点是北美和欧洲当代古典音乐和实验音乐；以及DIY项目，在该项目中，弹奏者还扮演表演者和/或作曲家的角色。在这两种情况下，设计过程的重点都不是为具有特定文化的社区创建DMIS--有既定的乐器、曲目和演奏风格--不在欧洲和北美传统之外。这一挑战激励了我们的研究。在这篇文章中，我们讨论了在一个名为“Batebit”的一年项目中吸取的经验教训。我们的方法基于设计思维方法论，包括灵感、思维和实施的循环。这导致了与来自巴西东北部的音乐家合作开发的两个新的DMIS。
Regarding the design of new DMIs, it is possible to fit the majority of projects into two main cases: those developed by the academic research centers, which focus on North American and European contemporary classical and experimental music; and the DIY projects, in which the luthier also plays the roles of performer and/or composer. In both cases, the design process is not focused on creating DMIs for a community with a particular culture - with established instruments, repertoire and playing styles - outside European and North American traditions. This challenge motivated our research. In this paper, we discuss lessons learned during an one-year project called "Batebit". Our approach was based on Design Thinking methodology, comprising cycles of inspiration, ideation and implementation. It resulted in two new DMIs developed collaboratively with musicians from the Brazilian Northeast.