Raise the Debt: How Developing Countries Choose Their Creditors. By Jonas B. Bunte. New York: Oxford University Press, 2019. 294p. $99.00 cloth, $29.95 paper.

Raise the Debt: How Developing Countries Choose Their Creditors. By Jonas B. Bunte. New York: Oxford University Press, 2019. 294p. $99.00 cloth, $29.95 paper.
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举债:发展中国家如何选择债权人。

DOI:
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发表时间:
2020
影响因子:
3.8
通讯作者:
M. DiGiuseppe
M. DiGiuseppe
中科院分区:
法学1区
文献类型:
--
作者:
M. DiGiuseppe

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unmanmed aerial vehicles (UAVs; p. 106). Most readers will find these examples highly relevant and probably know something about the related ethical controversies surrounding them. Although Bousquet’s work is not a direct intervention into these debates, his historical account puts these developments into context, making it possible to identify the unique features of today’s most sophisticated systems. We are now imagining systems of visual representation that are not bound by a screen (p. 113) and are able to depict a three-dimensional virtual reality that dissolves the boundary between human beings and technology. Bousquet shows how new technology (which we might associate with cutting-edge computer games) is able to merge human perception with machine sensory depiction. For example, one of the most interesting technologies is a helmet for pilots that could track eye movement and hand gestures, as well as creating a “virtual cockpit” that would present not only different images of the immediate surroundings but also a threat warning system or terrain maps. However, this “Super Cockpit program never did reach fruition” (p. 117) and thus serves as only one of many examples in this book of failing technology. Throughout the book Bousquet gives examples of visionary technologies that were not implemented, thereby emphasizing that the development of technology is never as linear as we might think. In Chapter 4, “Mapping,” Bousquet focuses on the ever more precise techniques of mapping and how we can understand maps not only as a representation of reality but also as a social production of space. Today digital maps are also a “communication channel” and “cognitive enabler” (p. 143). Not only (but especially) in the military, maps are crucial technologies for orientation in the world. Bousquet discusses critically important geographers but also emphasizes the instrumental function of maps (p. 121). Maps can be “better” or “worse” for providing orientation. This seems like an obvious point, but critical scholars of technology tend to play down the instrumental function of technology in their attempts to problematize its impact. The last substantive chapter, “Hiding,” takes the previous empirical examination to its logical conclusion by examining techniques of camouflage. Although it makes sense to conclude with a chapter of counterstrategies, this chapter lacks the technical focus and details that make the other chapters more accessible. Bousquet describes different techniques of camouflage and highlights the influence of scientists and artists in their development. Here it becomes clear that many gaps in our knowledge about visual perception remain and that the science of camouflage is not understood completely yet. The conclusion further develops the idea that technological development and the conduct of warfare are not only linked but also what this can tell us about politics more generally. Processes of targeting and identifying are also processes of subjectification (p. 196). Where the classical political subject was a result of centralized forms of observation, today the object of targeting practices is also always its subject (p. 197). With this final chapter, Bousquet opens up the way to embed his empirical analysis in the broader development of the revolution in military affairs and the general societal effects of digitization that were hinted at in previous chapters. One wishes this part would have been developed more, because it would have allowed for a deeper understanding of perception technology from a political sociological point of view that takes seriously questions of subjectivation, power, and order. Overall, this book will be of interest not only to scholars of critical military studies but also researchers interested in the history of visual technology and the technologization of security more generally.