From Grain to Pixel: the archival life of film in transition
From Grain to Pixel: the archival life of film in transition
复制标题
从颗粒到像素：转型中的胶片档案生活
DOI：
10.1080/01439685.2010.509974
复制
发表时间：
2010
期刊：
影响因子：
--
通讯作者：
Marit Knollmueller
中科院分区：
文献类型：
--
作者：
Marit Knollmueller
Michael Bernard-Donals和Richard Glejzer的《证人与证词之间》(2001)和劳伦斯·道格拉斯的《审判的记忆》(2001)，但这只是个人层面上的一个小小的吹毛求疵。《鬼影》的优势不仅在于它展示了什么，还在于它为随后的分析打开了方便之门。(例如，有一场关于创伤和伦理的讨论，其中包括露丝·莱斯最近的作品。)每一章的引言和结论都是翔实而清晰的，总体来说，萨克斯顿出版了一本书，这本书既是大屠杀电影研究的起点，也是对大量辩论的有用总结。这是一本对学生和学者都有价值的书。
Michael Bernard-Donals and Richard Glejzer’s Between Witness and Testimony (2001) and Lawrence Douglas’ The Memory of Judgment (2001)), but that is a minor quibble on a personal level. The strength of Haunted Images lies not only in what it shows but also in the areas it opens up for subsequent analysis. (There is, for example, a discussion to be had on trauma and ethics, which includes the recent work of Ruth Leys.) The introductions and conclusions to each chapter are informative and lucid, and overall Saxton has produced a book that is both a departure in the study of Holocaust film, and a useful summary of a wide number of debates. This is a book that will be a valuable text for both students and scholars.