"Historical Ethnomusicology": Reconstructing Falasha Liturgical History
"Historical Ethnomusicology": Reconstructing Falasha Liturgical History
复制标题
《历史民族音乐学》:重建法拉沙礼仪史
DOI:
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发表时间:
1980
期刊:
影响因子:
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通讯作者:
K. K. Shelemay
中科院分区:
文献类型:
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作者:
K. K. Shelemay
In recent decades, the concerns of our discipline have grown from analyzing music as sound phenomenon to approaching sound as an integral part of a particular cultural system. We have become aware that "musical knowledge is cultural knowledge" (Hoffman 1978:69). Yet, we do not often enough employ the insights gained through studies of living music cultures to better understand their pasts. The subject here is what may be termed "historical ethnomusicology."l Although a range of topics can be included under that rubric, this discussion will focus upon the potential that a synchronic study holds for illuminating the historical continuum from which it emerged. A brief discussion of the past and potential contribution of ethnomusicology to historical reconstruction will be followed by an illustrative case study. The lack of emphasis upon historical studies within ethnomusicology can be largely attributed to the lasting impact of the break from historical musicology. Despite activity of early ethnomusicologists in the historical arena, musicology was seen as an essentially historical pursuit while ethnomusicology had as its subject matter living traditions. Although suggestions were made intermittently for the use of oral materials in historical studies, most discussions of the relationship of musicology and ethnomusicology continued to reinforce a diachronic/synchronic dichotomy (Chase 1958:7)