Architectural geographies of the airport balcony: mobility, sensation and the theatre of flight
Architectural geographies of the airport balcony: mobility, sensation and the theatre of flight
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机场阳台的建筑地理：流动性、感觉和飞行剧场
DOI：
10.1111/j.1468-0467.2008.00274.x
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发表时间：
2008
期刊：
影响因子：
--
通讯作者：
P. Adey
中科院分区：
文献类型：
--
作者：
P. Adey
抽象的。在明显的“机动性转向”中，当代的研究集中在机场，作为我们移动世界的象征，但他们倾向于放弃对塑造和反映这些移动性的背景建筑地理的调查。本文探讨了机场阳台建筑与观赏实践之间的关系。虽然最近的学术研究将机场视为令人难以置信的权力象征和加强视觉审视的地方，但这篇论文探索了早期机场是如何通过视觉的建筑中介设计的，以向机场用户灌输特定的灵感、信念和信息--构建一种新的现代体验。远离被疏散的社会存在和意义的空白空间，本文调查了机场设计如何与社会体验互动并塑造社会体验。通过考察居住在机场阳台上的移动实践和体验，本文提出了移动和观看的概念化，将移动和观看的实践复杂化为社会、建筑和感官参与、登记和感知的“集体个性化”。
Abstract. Contemporary studies within the apparent ‘mobility turn’ focus upon airports as sites indicative of our mobile world, yet they tend to forgo investigations of the contextual architectural geographies that shape and inflect these mobilities. This paper examines the relationship between the architecture of the airport balcony and practices of seeing. While recent scholarship has taken airports to be incredible symbolizers of power and places of heightened visual scrutiny, the paper explores how through the architectural mediation of seeing, early airports were designed to instil specific inspirations, beliefs and messages within the airport user – constructing a new and modern experience. Far from a blank space evacuated of social presence and meaning, the paper investigates how airport design interacts with and shapes social experience. By examining the mobile practices and experiences of inhabiting the airport balcony, the paper advances conceptualizations of moving and seeing by complicating their practice as ‘collective individuations’ of social, architectural and sensual engagements, registers, and percepts.