Noising forth social change: the Orfeón Socialista de Madrid, 1900-1936
Noising forth social change: the Orfeón Socialista de Madrid, 1900-1936
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推动社会变革：奥尔芬社会主义马德里，1900-1936
DOI：
10.1080/14636204.2019.1644944
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发表时间：
2019
影响因子：
0.3
通讯作者：
Llano S
中科院分区：
文献类型：
--
作者：
Llano S
以下讨论的重点是马德里社会主义者协会（Orfeón Socialista de Madrid，1900-1936）的表演。由于他们在城市中创造并占用了声学领域，这些表演有助于马德里当地政治身份的形成，抵消了主要服务于中产阶级利益的新闻和政治话语的盛行。OSM的表演适合通过噪音研究的棱镜进行分析，因为为了推进社会主义事业，他们挑战了声音和噪音之间的二元对立，这种对立构成了马德里的声音卫生政治。后者取决于是否有能力操纵和利用这样一种感觉，即某些声音比其他声音更容易接受、更令人愉快和更“卫生”，而其他声音则被视为“污染”、破坏性和令人不快。这里讨论的例子表明，OSM如何利用噪音作为生产力，试图抵制一种根深蒂固的趋势，即边缘化和迫害那些声音或音乐实践被标记为不和谐或不和谐的社会群体。随着工人运动及其支持的意识形态（社会主义和无政府主义）被视为对社会秩序的根本威胁，OSM的表现被视为“噪音”的可能性增加。在这种情况下，OSM利用他们的表现来对抗负面偏见，提高认识，并在马德里的公共空间中谈判他们的存在。因此，对OSM和其他工人合唱社团的分析可以提供一个独特的视角，了解合唱的情感力量和变革潜力如何赋予弱势社会群体权力。
The following discussion is focused on performances by the Orfeón Socialista de Madrid (OSM, 1900–1936). As they created and appropriated acoustic territories in the city, these performances contributed to the making of local political identities in Madrid in ways that offset the prevalence of journalistic and political discourse, which served primarily middle-class interests. The OSM’s performances lend themselves to being analyzed through the prism of studies on noise because, in order to advance the cause of socialism, they challenged the binary opposition between sound and noise that structured the politics of sound hygiene in Madrid. The latter depended on the ability to manipulate and capitalize on the perception that certain sounds are more acceptable, agreeable and “hygienic” than others, which were in turn perceived as “polluting”, disruptive and unpleasant. The examples discussed here show how, by using noise as a productive force, the OSM tried to resist a well-established tendency to marginalize and persecute those social groups whose sounds or musical practices were tagged as discordant or unharmonious. The likelihood of the OSM’s performances being perceived as “noise” increased as the workers’ movement and its supporting ideologies (socialism and anarchism) came to be seen as a fundamental threat to social order. In this context the OSM used their performances to counter negative biases, raise awareness and negotiate their presence in Madrid’s public space. Analysis of the OSM and other workers’ choral societies can thus offer a unique insight into the ways in which the affective force and transformative potential of choral singing empowered disadvantaged social groups.