A duet between science and art: neural correlates of dance improvisation
A duet between science and art: neural correlates of dance improvisation
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科学与艺术的二重奏：即兴舞蹈的神经关联
DOI：
10.1080/14647893.2017.1369509
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发表时间：
2017
影响因子：
1
通讯作者：
Katia Savrami
中科院分区：
文献类型：
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作者：
Katia Savrami
摘要舞蹈即兴表演是舞蹈演员必不可少的技能和工具。它基于动觉体验及其通过自我运动不断变化的动态品质。它需要一个自发的动觉反应，在一个时空有力的质量动态发生的影响和运动;一个动力，让舞者表演创新的材料，并因此支持创造性的过程。目前的研究提出了一个问题，即舞蹈即兴创作是否可以用70年代后期科学家们发展起来的表演理论进行充分的检验。这个理论试图解释大脑，弥合心灵和经验之间的差距。本文的研究一方面要问，当代神经科学家和认知科学家提出的制定在多大程度上足以解释舞蹈即兴创作的现实，另一方面，舞蹈教育中即兴创作的书面描述如何促进对意识与运动或身心关系的理解。
Abstract Dance Improvisation is an essential skill and tool for dancers. It is grounded in the kinesthetic experience and its constantly changing dynamic qualities through self-movement. It requires a spontaneous kinesthetic response in a spatiotemporal vigorous qualitative dynamic happening of affect and movement; a momentum that allows dancers to perform innovative material and as such supports the creative process. The current study raises questions as to whether dance improvisation can be sufficiently examined by the Theory of enaction, developed by scientists from late 70’s on. This theory is an attempt to explain the brain and bridge the gap between mind and experience. The inquiry in this paper asks on the one hand, to what extent enaction as set forth by contemporary neuroscientists and cognitive scientists is sufficient to account for the reality of dance improvisation, and on the other hand, how written descriptions of improvisation in dance education can advance understandings of the relationship of consciousness and movement or mind and body.