Relationships Between Performance Timing, Perception of Timing Perturbations, and Perceptual‐Motor Synchronisation in Two Chopin Preludes
Relationships Between Performance Timing, Perception of Timing Perturbations, and Perceptual‐Motor Synchronisation in Two Chopin Preludes
复制标题
两首肖邦前奏曲中演奏计时、计时扰动的感知和知觉-运动同步之间的关系
DOI:
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发表时间:
1999
期刊:
影响因子:
--
通讯作者:
B. Repp
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文献类型:
--
作者:
B. Repp
In earlier studies using relatively short musical excerpts, a close relationship was found between expressive performance timing and positional variations in the detectability of local timing perturbations in an otherwise evenly timed computer rendition of the music. Weaker but significant relationships held between each of these measures and positional variation in the accuracy of synchronised finger tapping with the evenly timed music. These findings suggested that musical structure induces temporal expectations that are reflected in conscious perception and in motor control. In this study, extended between-task correlations were examined in two longer piano pieces, Chopin's Preludes No. 15 (Bars 1–19) and No. 6 (complete). In addition to perceptual detection and perceptual-motor synchronisation tasks, pianists were recorded playing the music in three ways: with normal expression, metronomically (without the aid of a metronome), and in synchrony with a metronome. The (intended or unintended) timing patterns of these three performance styles were quite similar and showed the predicted significant relationships with the patterns of detection and synchronisation accuracy. However, the correlations were weaker than expected, which suggests that additional, task-specific factors played a role.
DOI:
10.1121/1.423325
发表时间:
1998
期刊:
The Journal of the Acoustical Society of America
影响因子:
--
作者:
Repp,BH
通讯作者:
Repp,BH