Pop in Spanish in the U.S.: A Space to Articulate the Latino Identity
Pop in Spanish in the U.S.: A Space to Articulate the Latino Identity
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美国西班牙语流行音乐：表达拉丁裔身份的空间
DOI：
10.15427/or063-09/2020en
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发表时间：
2020
期刊：
影响因子：
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通讯作者：
Eduardo Viñuela
中科院分区：
文献类型：
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作者：
Eduardo Viñuela
从世纪开始，这个包罗万象的术语就被用来描述随着时间的推移而演变的各种音乐风格，以适应西班牙裔社区的现实。这一类别的集体想象力，主题和音乐实践处于不断变化的状态，有助于每个历史时期的拉丁美洲身份的重新表达。本研究分析了拉丁音乐的演变，从它的概念作为一个类别，通过目前的时刻。它从19世纪世纪的泛拉丁背景开始，特别关注过去几十年流行音乐的出现，包括20世纪90年代的“拉丁裔热潮”和今天，新一代拉丁裔艺术家推动了许多音乐发展，广泛地被称为“城市音乐”。在这篇综述中，我们看到拉丁音乐及其对西班牙语的使用如何适应美国西班牙裔社区的政治，经济和社会地位。
: Spanish has been fundamental to the definition of Latin music in the U.S. Since the 19 th century, this catchall term has been used to describe a heterogenous catalogue of musical styles that has evolved over time, adapting to the reality of the Hispanic community of each moment. This category’s collective imagination, subject matter, and musical practices are in a state of constant transformation, contributing to the rearticulation of the Latino identity for each historic period. This study analyzes the evolution of Latin music from its conception as a category through the current moment. It begins with the pan-Latino context of the 19 th century and pays particular attention to the emergence of pop in the past few decades, including the ‘Latino Boom’ of the 1990s and through the present day, when a new generation of Latino artists has prompted a number of musical developments broadly referred to as ‘urban music.’ In this overview, we see how Latin music and its use of the Spanish language have adapted in line with the political, economic, and social status of the Hispanic community in the U.S.