Knud Arne Jürgensen, The Verdi Ballets . Parma: Istituto Nazionale di Studi Verdiani (Premio Internazionale Rotary Club di Parma ‘Giuseppe Verdi’ 4), 1995.
Knud Arne Jürgensen, The Verdi Ballets . Parma: Istituto Nazionale di Studi Verdiani (Premio Internazionale Rotary Club di Parma ‘Giuseppe Verdi’ 4), 1995.
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Knud Arne Jürgensen，《威尔第芭蕾舞团：帕尔马国家学院》（Premio Internazionale Rotary Club di Parma ‘Giuseppe Verdi’4），1995 年。
DOI：
10.1017/s0954586700004857
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发表时间：
1997
影响因子：
0.3
通讯作者：
Mark S. Smith
中科院分区：
文献类型：
--
作者：
Mark S. Smith
人物舞蹈（也被称为“民族”、“民间”或“民族”舞蹈）被认为是十九世纪芭蕾舞的重要组成部分。在歌剧和芭蕾舞中，登台的舞者很可能展示他们的古典和人物习语技巧。事实上，不仅群舞演员学习玛祖卡舞、斯提林舞、克拉科维亚克舞和卡丘查舞等舞蹈，而且最著名的首席芭蕾舞演员和首席舞者也学习这种舞蹈。玛丽·塔廖尼 (Marie Taglioni) 对她的玛祖卡舞感到自豪（这是她在华沙巡演时学会的），并以吉普赛舞和西班牙舞《La Gitana》令观众眼花缭乱。卢西恩·佩蒂帕因在《吉赛尔》中塑造了阿尔布莱希特而被人们所铭记，他因在激烈的波尔卡舞比赛中击败对手而赢得赞誉（波尔卡舞当时是一种技术要求很高的舞蹈）。范妮·埃尔斯勒 (Fanny Elssler) 因卡丘查 (cachucha) 而出名，在佩斯学会了 csardas，并在 1851 年以“真实”的俄罗斯/w.r 表演给俄罗斯观众留下了深刻的印象：
Character dance (also referred to variously as 'national', 'folk' or 'ethnic' dance) is known to have constituted an important part of nineteenth-century ballet. In both operas and ballets, dancers taking the stage were quite likely to demonstrate their skills in both the classical and the character idiom. Indeed, it was common not only for corps dancers to learn such dances as the mazurka, styrien, krakowiak and cachucha, but also for the most famous prima ballerinas and premiers danseurs to do so. Marie Taglioni took pride in her mazurka (which she had learned while on tour in Warsaw) and dazzled audiences with her gypsy and Spanish dancing in La Gitana. Lucien Petipa, best remembered for creating Albrecht in Giselle, won acclaim for beating back his challengers in a fierce polka competition (the polka then being a technically demanding dance). Fanny Elssler made her name with her cachucha, learned the csardas in Pest, and impressed Russian audiences with her 'authentic' rendering of a Russian/w.r in 1851: