Geography's creative (re)turn: Toward a critical framework
Geography's creative (re)turn: Toward a critical framework
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DOI：
10.1177/0309132518804341
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发表时间：
2019-12-01
影响因子：
7.1
通讯作者：
Hawkins, Harriet
中科院分区：
文献类型：
--
作者：
Hawkins, Harriet
地理学知识领域的最新“转向”是围绕创造力展开的。长期以来，地理学家们一直着迷于诗歌、视觉艺术、摄影、表演、舞蹈、歌舞表演、讲故事等实践，他们正在成为创造者和合作者（而不仅仅是分析者）。我在这里的意图不是要陷入辩论这是否实际上是一个转折，相反，我期待更广泛的跨学科的“转折谈话”作为一个来源，从其中建立一个急需的关键框架，这些最近的学科发展。这一批评框架的五个方面提出：历史，地理，博物馆，专业知识和政治。这些维度绝非详尽无遗，而是对创意地理的当前强化和未来实践的批判性观点，探索可能性，但重要的是，应对挑战。
The latest 'turn' to appear on geography's intellectual horizons pivots around creativity. Geographers long fascinated with the practices of poetry, visual art, photography, performance, dance, cabaret, story-telling and more, are becoming creators and collaborators (rather than simply analysts). My intention here is not to get caught up in debating whether this is in fact a turn; rather, I look to wider interdisciplinary 'turn talk' as a source from which to build a much-needed critical framework for these recent disciplinary developments. Five dimensions of this critical framework are posed: histories, geographies, imaginaries, expertise and politics. By no means exhaustive, these dimensions gesture towards critical perspectives on the current intensification and future practice of creative geographies, exploring possibilities but also, importantly, addressing challenges.