Between Light and Dark Archiving
Between Light and Dark Archiving
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光明与黑暗归档之间
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发表时间：
2019
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通讯作者：
A. Dekker
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作者：
A. Dekker
有些人认为数字档案馆是一种矛盾修饰法（Laermans and Gielen 2007），或者更类似于一种无政府主义（Anarchive）（Ernst 2015，Zielinski 2014）。德里达用“无政府主义”这个词来表示“那些未被征服的东西仍然与无政府主义相关联”。恩斯特将其与数字档案馆联系起来，并将无档案馆描述为无法订购或编目的东西，因为它不断被重复使用，流通和扩展，因此只是一个隐喻性的档案馆。同样，福斯特描述了无档案是如何关于模糊的痕迹，而不是绝对的起源，强调不完整的，这可能会提供新的解释，或“出发点”福斯特（2004）提到。这些不同的描述意味着，数字档案馆，特别是基于网络的档案馆，与其说是一个存储空间，不如说是一个回收中心，其中的材料（档案文件，如果人们仍然可以使用这个术语的话）是动态的。换句话说，数字档案的默认状态是重复使用而不是存储，流通而不是集中组织的记忆，不断变化而不是停滞。如何捕获和检索所有这些数据、信息和文档，但更重要的是，在Web上以何种方式进行存档？接下来，我将研究艺术家们的项目，他们以各种方式探索在线存档的挑战。这些示例展示了如何在Web上捕获和存档信息和数据。特别是，它如何成为一个网络化的环境，或表现空间的特点是从对象到过程的过渡。我认为，这种新的情况意味着在黑暗和光明的存档之间移动，这是一种新的网络共同存档方法出现的地方。
Some people argue that the digital archive is an oxymoron (Laermans and Gielen 2007) or more akin to an anarchive (Ernst 2015, Zielinski 2014).Derrida used the word anarchive to signal that “what remains unvanquished remains associated with the anarchi.” Ernst relates it to the digital archive and describes the anarchive as something that cannot be ordered or catalogued because it is constantly re-used, circulated, and expanding, and thus only a metaphorical archive. Similarly, Foster describes how the anarchival is about obscure traces rather than absolute origins, emphasising the incomplete, which may offer openings to new interpretation, or ‘points of departure’ as mentioned by Foster (2004). These various descriptions imply that digital archives, and in particular Web-based archives, function less as a storage space and more as a recycling centre in which the material (the archival document, if one can still use this term) is dynamic. In other words, the default state of the digital archive is re-use instead of storage, circulation rather than centrally organised memory, constant change versus stasis. How to capture and retrieve all this data, information and documentation, but more importantly, in what way does archiving take place on the Web? In what follows I examine projects by artists who in various ways explore the challenges of online archiving. These examples show how information and data is captured and archived on the Web. In particular, how it becomes a networked environment, or performance space characterised by the transition from objects to processes. This new situation, I argue, means moving between dark and light archiving, and it’s the place where a new method of networked coarchiving emerges.