Urban Politics and Cultural Capital: The Case of Chinese Opera
Urban Politics and Cultural Capital: The Case of Chinese Opera
复制标题
城市政治与文化资本：以中国戏曲为例
DOI：
10.4324/9781315548739
复制
发表时间：
2015
影响因子：
3.5
通讯作者：
Ma Haili
中科院分区：
文献类型：
--
作者：
Ma Haili
本书讲述了中国地方戏剧形式——上海越剧如何从二十世纪初期全男性的“丐歌”发展成为全国最大的全女性歌剧形式，却在新千年的中国政治和经济改革中面临越来越大的生存压力。以前的出版物主要关注中国戏剧的历史发展，重点是京剧。这是第一本以跨学科的方式讲述上海越剧故事的书，将历史、艺术管理、中央和地方政府政策、城市化、性别、媒体和戏剧艺术发展融为一体。本书通过上海越剧院市场改革的故事，帮助人们了解后社会主义中国复杂的政治经济形势。本书认为，国家艺术机构是共产党获得合法性的重要机关，上海越剧院的蓬勃发展和奋斗实际上直接反映了新千年共产党内部为获得合法性和生存而发生的动荡。
This book tells the story of how a regional Chinese theatrical form, Shanghai Yue Opera, evolved from the all-male ’beggar’s song’ of the early twentieth century to become the largest all-female opera form in the nation, only to face increasing pressure to survive under Chinese political and economic reforms in the new millennium. Previous publications have focused mainly on the historical development of Chinese theatre, with emphasis placed on Beijing opera. This is the first book to take an interdisciplinary approach to the story of the Shanghai Yue Opera, bringing history, arts management, central and regional government policy, urbanisation, gender, media, and theatre artistic development in one. Through the story of the Shanghai Yue Opera House market reform this book facilitates an understanding of the complex Chinese political economic situation in post-socialist China. This book suggests that as state art institutions are key organs of the Communist party gaining legitimacy, the vigorous evolution and struggle of the Shanghai Yue Opera house in fact directly mirrors the Communist Party internal turmoil in the new millennium to gain its own legitimacy and survival.