The Many Senses of Imagination and the Manifestation of Fiction: A View from Husserl’s Phenomenology of Phantasy
The Many Senses of Imagination and the Manifestation of Fiction: A View from Husserl’s Phenomenology of Phantasy
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想象的多种意义和小说的表现：胡塞尔《幻想现象学》的视角
DOI：
10.1007/s10743-012-9117-2
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发表时间：
2013
期刊：
影响因子：
--
通讯作者：
J. C. Cobos
中科院分区：
文献类型：
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作者：
J. C. Cobos
一般来说，胡塞尔现象学对幻觉的定性描述的系统重要性是无可争议的，但这种描述是否与美学相关却经常受到质疑。在本文中，我认为胡塞尔丰富的幻想现象学，特别是他对感性幻想的描述，可以显著提高我们对如何认识和想象地参与艺术小说的理解。此外，我还展示了胡塞尔在艺术表现中对非直觉幻想的特殊表述如何预示了恩斯特·贡布里希和肯德尔·沃尔顿所建议的美学中想象力的某些用途。
The systematic importance of the eidetic account of phantasy for Husserlian phenomenology in general is undisputed, but whether this account can be relevant for Aesthetics has often been put into question. In this paper I argue that Husserl’s rich phenomenology of phantasy, and in particular his account of perceptual phantasy, can nevertheless significantly enhance our understanding of how we recognize and imaginatively participate in artistic fictions. Moreover, I show how Husserl’s peculiar formulation of a non-intuitive phantasy at stake in artistic representation anticipates some uses of the imagination in Aesthetics suggested by Ernst Gombrich and Kendall Walton.