Cultural value and cultural policy: some evidence from the world of live music
Cultural value and cultural policy: some evidence from the world of live music
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DOI：
10.1080/10286632.2014.987668
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发表时间：
2016-01-01
影响因子：
1.8
通讯作者：
Cloonan, Martin
中科院分区：
文献类型：
--
作者：
Behr, Adam;Brennan, Matt;Cloonan, Martin
本文认为现场音乐政策与更广泛的辩论文化（而不是工具）的艺术价值。这些发现是基于对业余/爱好者，国家资助和商业音乐会的研究，涉及一系列类型-古典，传统民间，爵士乐，创作歌手和独立音乐会，使用爱丁堡女王大厅场地作为案例研究。我们认为：（1）对不同类型现场音乐的文化或内在价值的阐述往往会回归到对乐器价值的描述;（2）尽管观众、艺术家和推广者对他们参与现场音乐的原因有不同的解释，但他们也有一些跨类型的共同特征，有时会挑战关于特定类型行为的刻板印象;以及（3）从审查一个举办各种流派和促销活动的场所中，可以为现场音乐政策吸取教训。
This article considers live music policy in relation to wider debates on the cultural (as opposed to instrumental) value of the arts. The findings are based on research into amateur/enthusiast, state-funded and commercial concerts across a range of genres - classical, traditional folk, jazz, singer-songwriter and indie using the Edinburgh Queen's Hall venue as a case study. We argue that (1) articulations of the cultural or intrinsic value of live music across genres tend to lapse back into descriptions of instrumental value; (2) although explanations vary from audiences, artists and promoters as to why they participate in live music, they also share certain characteristics across genres and sometimes challenge stereotypes about genre-specific behaviours; and (3) there are lessons to be learned for live music policy from examining a venue that plays host to a range of genres and promotional practices.