Personal tempo and subjective accentuation.
Personal tempo and subjective accentuation.
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个人节奏和主观强调。
DOI：
10.1080/00221309.1963.9920534
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发表时间：
1963
期刊：
影响因子：
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通讯作者：
N. Temperley
中科院分区：
文献类型：
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作者：
N. Temperley
当受试者在刺激中没有相应的周期性变化的情况下听到口音时，就会发生“主观重音”。例如，当播放一系列相同的、间隔均匀的音调时(在本文中，这样的一系列音调将简称为“系列”)，受试者经常报告他们在某些音调上听到了口音。通常这样的口音是周期性的。“Personal Tempo”是一个人重复一个简单动作的平均速度。人们通常发现，当许多个体在许多场合以他们选择的任何速率重复给定的动作时，个体内的速率变化明显小于个体间的变化(3，14)，因此有理由将个人的平均速率视为个人属性。在这项研究中，当受试者被指示用手指或手均匀地敲击时，他所选择的速度就是“个人节奏”的例证。
“Subjective accentuation” takes place when a subject hears accents in the absence of corresponding periodic changes in the stimulus. For example, when a series of identical, evenly spaced tones is played (such a series will be called simply a “series” in this article), subjects often report that they hear accents on some of the tones. Usually such accents are periodic.“Personal tempo” is the mean rate at which a person repeats a simple motion. It has generally been found that when a number of individuals on a number of occasions repeat a given motion at any rate they choose, intraindividual variation in rate is significantly less than interindividual variation (3, 14), so that there is justification for regarding the mean rate for an individual as a personal attribute. In this study “personal tempo” is exemplified by the rate chosen by a subject when he is instructed to tap evenly with the finger or hand.