Making the invisible visible in International Relations: Film, co-produced research and transnational feminism
Making the invisible visible in International Relations: Film, co-produced research and transnational feminism
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让国际关系中的不可见事物变得可见：电影、联合制作的研究和跨国女权主义
DOI：
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发表时间：
2018
期刊：
影响因子：
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通讯作者：
S. Harman
中科院分区：
文献类型：
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作者：
S. Harman
如何以一种承认无形的力量的方式使无形的东西可见，这是一个与国际关系中的女权主义和非殖民化方法有关的问题。本文提出了一种新的研究方法来探讨这个问题：一个学术研究人员，一个电影摄制组和一群生活在每天2美元国际贫困线以下的坦桑尼亚沿海农村妇女之间的叙事故事片的联合制作。这是第一次使用叙事故事片作为国际关系的方法。本文将电影置于国际关系中关于女性主义和视觉方法的更广泛的争论中，然后探索作为研究方法的电影合拍的实践和政治。在这样做时，本文提出了两个关键论点。首先，电影提供了一种新的研究方法，将无形的日常经验转化为对国际政治的理解，并创造出吸引广泛而多样化的全球观众的产出。第二，权力关系是固有的和不可避免的共同制作的研究;然而，而不是关闭合作的机会，探索这种权力关系的政治开辟了新的方式思考跨国女权主义。
How to make the invisible visible in a way that recognises the agency of the invisible is a question pertinent to feminist and decolonial method in International Relations. This article proposes a new method of research to explore this question: the co-production of a narrative feature film between an academic researcher, a film crew and a group of women from rural coastal Tanzania living below the international poverty line of US$2 a day. This project is the first use of narrative feature film as method in International Relations. The article situates film in the wider debate on feminist and visual method in IR before exploring the practice and politics of co-production of film as research method. In so doing, the article makes two key arguments. First, film offers a new method of research that translates the everyday experiences of the invisible to understandings of international politics and creates outputs that appeal to broad and diverse global audiences. Second, power relations are inherent and unavoidable in co-produced research; however, instead of closing down opportunities for collaboration, exploring the politics of such power relations opens up new ways of thinking about transnational feminism.
IR 的视觉转向：纪录片制作作为一种批判方法
影响因子：
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作者：
Callahan W
通讯作者：
Callahan W