Decolonising museum cultures: An artist and a geographer in collaboration
Decolonising museum cultures: An artist and a geographer in collaboration
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博物馆文化非殖民化：艺术家和地理学家的合作
DOI：
10.1111/tran.12339
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发表时间：
2020
影响因子：
3.3
通讯作者：
Rosanna Raymond
中科院分区：
文献类型：
--
作者：
D. Tolia‐Kelly;Rosanna Raymond
有许多出版的研究和战略言论对非殖民化的学科，学术界和机构的社会和文化的重要性。然而，很少有文献研究的垫脚石在实质上的挑战，改变和非殖民化机构本身的过程中。这篇论文是艺术家罗莎娜·雷蒙德和我自2005年以来合作之旅中的对话轴或对话片段的概述。我们概述了遇到的问题：其中一些本质上是帝国博物馆学的遗产和范式，通过它，我们评估和展示种族化的“他者”的文化。这些事件是理解政治和可能的非殖民化方式的一种手段。这种合作使跨学科的“看问题的方式”的潜力，反对殖民框架。本文通过“毛利人”和“波利尼西亚人”在博物馆的策展实践和表现，揭示了帝国对“其他”文化在博物馆的影响。
There is much published research and strategic rhetoric on decolonising the discipline, the academy, and institutions of social and cultural importance. However, very little literature examines the stepping stones in the process of materially challenging, changing, and decolonising institutions themselves. This paper emerges as an outline of axes or episodes of dialogue in a collaborative journey between the artist Rosanna Raymond and myself, since 2005. We outline the issues encountered: some of these are intrinsically the legacies of imperial museology and the paradigms through which we evaluate and exhibit the cultures of racialised “others.” The episodes act as a means of understanding the politics and ways of decolonising that are possible. The collaboration enables the potential for interdisciplinary “ways of seeing” that counter colonial frameworks. The paper unravels the effect of imperial accounts of “other” cultures at museums, explored here through “Maori” and “Polynesian” curatorial practices and representations at the museum.