Interaction between musical emotion and facial expression as measured by event-related potentials
Interaction between musical emotion and facial expression as measured by event-related potentials
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DOI：
10.1016/j.neuropsychologia.2012.11.031
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发表时间：
2013-02
期刊：
影响因子：
2.6
通讯作者：
Keiko S. Kamiyama;D. Abla;K. Iwanaga;K. Okanoya
中科院分区：
文献类型：
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作者：
Keiko S. Kamiyama;D. Abla;K. Iwanaga;K. Okanoya
我们使用情感启动范式考察了情绪面部表情和音乐片段之间的整合过程。在脑电(EEG)记录期间，快乐或悲伤的音乐刺激被呈现在快乐或悲伤的面部图像之后。我们要求参与者判断呈现的面部音乐对的情感一致性。情绪上一致的配对比不一致的配对更快地判断出一致性。此外，脑电数据显示，不一致的音乐目标比一致的音乐目标诱发出更大的N400成分。此外，这些影响不仅发生在音乐家身上，也发生在非音乐家身上。综上所述，表情音乐对的情绪整合加工在一致的音乐目标中被促进，而在不一致的音乐目标中被抑制；这一过程不受个人音乐经验的显著调节。这是首次对由面部表情启动的音乐刺激的研究，证明了N400成分反映了情感启动效应。
We examined the integrative process between emotional facial expressions and musical excerpts by using an affective priming paradigm. Happy or sad musical stimuli were presented after happy or sad facial images during electroencephalography (EEG) recordings. We asked participants to judge the affective congruency of the presented face–music pairs. The congruency of emotionally congruent pairs was judged more rapidly than that of incongruent pairs. In addition, the EEG data showed that incongruent musical targets elicited a larger N400 component than congruent pairs. Furthermore, these effects occurred in nonmusicians as well as musicians. In sum, emotional integrative processing of face–music pairs was facilitated in congruent music targets and inhibited in incongruent music targets; this process was not significantly modulated by individual musical experience. This is the first study on musical stimuli primed by facial expressions to demonstrate that the N400 component reflects the affective priming effect.