Moroccan diasporic cinema: the 'rooted transnationalism' of the cinéastes de passage
Moroccan diasporic cinema: the 'rooted transnationalism' of the cinéastes de passage
复制标题
摩洛哥侨民电影：电影史上“根深蒂固的跨国主义”
DOI：
10.1080/25785273.2019.1641285
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发表时间：
2019
影响因子：
0.2
通讯作者：
Higbee W
中科院分区：
文献类型：
--
作者：
Higbee W
本文旨在重新审视作者在2010年创刊号中提出的关于流散电影制作和跨国电影的想法。它特别关注散居摩洛哥电影制片人的条件和经验，考虑他们的作品是如何在全球和地方层面上制作和传播的。本文发展了“根植的跨国主义”的概念，以描述一个特定群体的离散电影制片人的方法：thecinéastes de passage。摩洛哥电影制片人在西方和马格里布之间的流动取决于每个新项目的政治，艺术和经济条件，他们在欧洲和摩洛哥的电影文化和行业内部和之间保持存在。文章认为，这些电影制片人在过去25年中为摩洛哥电影的成功、多样性和跨国知名度发挥了关键作用。
This article aims to revisit ideas concerning diasporic filmmaking and the transnational originally put forward by the author in the inaugural edition of this journal in 2010. It focuses specifically on the conditions and experiences of diasporic Moroccan filmmakers, considering how their work is produced and circulates on both a global and local level. The article develops the notion of ‘rooted transnationalism’ to describe the approach of a specific group of diasporic filmmakers: thecinéastes de passage. The cinéastes de passageare Moroccan filmmakers whose movement between the West and Maghreb is dictated by the political, artistic and economic conditions of each new project and who maintain a presence both within and between the cinematographic cultures and industries in Europe and Morocco. The article argues that these filmmakers have played a key role in the success, diversity and transnational visibility of Moroccan cinema over the past 25 years.