Performing Memory in Art and Popular Culture
Performing Memory in Art and Popular Culture
复制标题
DOI：
10.4324/9780203070291
复制
发表时间：
2013-04
期刊：
影响因子：
--
通讯作者：
L. Plate;A. Smelik
中科院分区：
文献类型：
--
作者：
L. Plate;A. Smelik
这卷追求文化记忆研究的一条新的研究线，通过理解记忆作为艺术和流行文化中的表演行为。作者从艺术和流行文化制定记忆和产生记忆过程的观察中得到了启示。他们进行记忆，在记忆的过程中，出现了关于记忆的文化维度的新问题：艺术品和艺术实践如何在现在表现过去？他们与档案馆有什么关系？过去的事，我们是在说过去的事，还是在说过去的事？对象“回忆”的目的是什么？他们为谁而战？在这里，作者将联合收割机的方法论重点与艺术和流行文化的理论重点结合起来，作为记忆的实践。因此，书中的文章分析了构成文化记忆的记忆和遗忘、回忆和遗忘、遗忘和回忆的复杂过程中的利害关系。
This volume pursues a new line of research in cultural memory studies by understanding memory as a performative act in art and popular culture. The authors take their cue from the observation that art and popular culture enact memory and generate processes of memory. They do memory, and in this doing of memory new questions about the cultural dimensions of memory arise: How do art objects and artistic practices perform the past in the present? What is their relationship to the archive? Does the past speak in the performed past (or do we speak to it)? To what purpose do objects "recall"? And for whom do they recollect? Here authors combine a methodological focus on memory as performance with a theoretical focus on art and popular culture as practices of remembrance. The essays in the book thus analyze what is at stake in the complex processes of remembering and forgetting, of recollecting and disremembering, of amnesia and anamnesis, that make up cultural memory.