The UPIC System: A User's Report
The UPIC System: A User's Report
复制标题
UPIC 系统：用户报告
DOI：
10.2307/3680095
复制
发表时间：
1986
影响因子：
--
通讯作者：
Henning Lohner
中科院分区：
文献类型：
--
作者：
Henning Lohner
毫无疑问，1985年欧洲当代音乐界的重大事件之一是来自世界各地的作曲家、乐器演奏家和学生在阿坎斯中心举行的为期七周的聚会，以荣誉兰尼斯·泽纳基斯。总部位于巴黎的Acanthes中心是一个成立于10年前的非营利组织，每年一次搬到法国南部的艾克斯普罗旺斯，与我们这个时代的作曲家一起举办夏季会议，这些作曲家在过去几年中一直是Stockhausen，Berio，Ligeti和Xenakis本人。去年，该中心被其赞助商（欧洲议会和法国政府等）选中参加欧洲音乐年。在7月和8月期间，它延长了其通常的会议，传统上在艾克斯的米约音乐学院，前往奥地利萨尔茨堡的新莫扎特（图1）（应罗尔夫·利伯曼的邀请，有些人可能还记得他在20世纪50年代为机械乐器作曲），最后前往希腊德尔菲的欧洲中心。这三次会议可以单独或连续参加，平均约有70名学生参加。这些会议完全致力于兰尼斯·泽纳基斯的作品，理论和想法，因此包括器乐以及计算机和电子音乐。在由大约15名欧洲当代音乐界最重要的音乐家（包括Xenakis）举办的研讨会上讨论了这些主题。在器乐方面是伊丽莎白Chojnacka（大键琴），西尔维奥Gualda（古西奥），詹姆斯伍德（合唱团），克劳德Helffer（钢琴），和Arditti弦乐四重奏。在电子方面，重点关注UPIC系统UPIC系统：用户报告
No doubt one of Europe's major events in contemporary music in 1985 was the seven-week gathering of composers, instrumentalists, and students from all over the world at the Centre Acanthes in honor of lannis Xenakis. The Paris-based Centre Acanthes, a nonprofit organization founded 10 years ago, moves to Aix-enProvence in South France once a year to host a summer session with composers of our time, which in former years have been Stockhausen, Berio, Ligeti, and Xenakis himself. Last year, the center was chosen by its sponsors (the European Parliament and the French Government, among others) to take part in the European Year of Music. During the months of July and August, it extended its usual session, traditionally based at the Milhaud Conservatory in Aix, by travelling to the New Mozarteum in Salzburg, Austria (Fig. 1) (upon the invitation of Rolf Liebermann, whom some may also remember for his compositions for mechanical instruments during the 1950s), and finally to the European Center in Delphi, Greece. The three sessions, which could be visited individually or successively, averaged approximately 70 students. The sessions were dedicated wholly to the works, theories, and ideas of lannis Xenakis, therefore encompassing instrumental music as well as computer and electronic music. Topics were discussed in seminars held by a staff of approximately 15 (including Xenakis) of the foremost European musicians in contemporary music. On the instrumental side were Elizabeth Chojnacka (harpsichord), Sylvio Gualda (percussio), James Wood (choir), Claude Helffer (piano), and the Arditti String Quartett. On the electronic side, which focused on the UPIC sysThe UPIC System: A User's Report