Immersion Cinema: The Rationalization and Reenchantment of Cinematic Space
Immersion Cinema: The Rationalization and Reenchantment of Cinematic Space
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沉浸式电影：电影空间的合理化与重塑
DOI：
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发表时间：
2007
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通讯作者：
Timothy Recuber
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文献类型：
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作者：
Timothy Recuber
主导所谓装置理论的电影精神分析解释将观看行为描述为一种主要是偷窥、偷窥的活动。但最近投影技术和剧院建筑的变化表明，沉浸在高保真视听技术中的观众的身体和动觉体验是至关重要的。这篇文章描绘了“沉浸式电影”的发展，批评了现有的电影设备理论，并使用了受亨利列费夫尔作品影响的空间分析来表明，电影的最新发展可能对其艺术质量和社会相关性有害。
The psychoanalytic accounts of cinema that dominate so-called apparatus theory describe spectatorship as a primarily voyeuristic, scopophilic activity. But recent changes in projection technology and theater architecture suggest that the physical and kinesthetic experience of the spectator, immersed in high-fidelity audiovisual technologies, is of paramount importance. This article charts the development of “immersion cinema,” critiques existing theories of the cinematic apparatus, and uses a spatial analysis influenced by the work of Henri Lefebvre to suggest that recent developments in cinema may be harmful to its artistic quality and social relevance.