Towards Lefebvrian Socio-Nature? A Film about Rhythm, Nature and Science
Towards Lefebvrian Socio-Nature? A Film about Rhythm, Nature and Science
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DOI：
10.1111/j.1749-8198.2008.00107.x
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发表时间：
2008-05-01
影响因子：
3.1
通讯作者：
Jones, Phil
中科院分区：
文献类型：
--
作者：
Evans, James;Jones, Phil
首先你会注意到这篇文章，它实际上是一部电影。我们并没有打算拍一部电影，只是以这种方式结束了。我们从环境数据开始创作音乐，想知道为什么我们只看科学数据，为什么我们不听它。我们在城市中漫步，穿过河道和破碎的工业空间的变化景观，我们想揭示这个混合城市的社会和自然节奏。下面的文字代表了一部电影的拍摄剧本，这部电影探讨了列费夫尔在社会自然节奏背景下的节奏分析概念。伴随它的视频更有趣，包括我们通过采样器和鼓机提供科学数据而制作的环境音乐。这段视频质疑了科学表征的本质，以及节奏分析的概念是否可以延伸到人类之外的节奏。此外，实际制作视频的过程，将其提交给本杂志，并回应审稿人的评论，使我们质疑什么是二十一世纪世纪学术论文的本质。所附的评注是我们试图处理这些问题。
The first thing you will notice about this article is that it is actually a film. We did not set out to make a film, it just ended up that way. We started out making music out of environmental data, wondering why we only ever look at scientific data, why we do not listen to it. Wandering around the city passing through the transformed landscapes of channelised rivers and broken industrial spaces, we wanted to reveal the socio-natural rhythms of this hybrid city. The text you see below represents the shooting script for a film that explores Lefebvre's notion of rhythmanalysis in the context of socio-natural rhythms. The video accompanying it is far more interesting, including the environmental music that we produced by feeding scientific data through samplers and drum machines. The video questions the nature of scientific representation and whether the notion of rhythmanalysis can be stretched to explore rhythms beyond the human. Furthermore, the process of actually making the video, submitting it to this journal, and responding to the referees' comments made us question the very nature of what constitutes an academic paper in the twenty-first century. The accompanying commentary is our attempt to deal with these issues.