Generative principles in music performance.
Generative principles in music performance.
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音乐表演中的生成原则。
DOI：
10.1093/acprof:oso/9780198508465.003.0001
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发表时间：
1988
期刊：
影响因子：
2.3
通讯作者：
E. Clarke
中科院分区：
文献类型：
--
作者：
E. Clarke
这一章强调了表演的作用，通过表达的梯度、不连续和对比来例证音乐的结构方面。它在一个理论框架内嵌入了几个巧妙的实验研究，强调了分层心理表征作为控制表现的一种手段的重要性。它从两个层面阐述了音乐表演中涉及的生成原则。一个层次涉及音乐结构的表现形式，这种形式给运动系统提供了连贯和智能的输入。在第二个层面上，可以确定生成原则是在演奏的表现方面的生产和控制，这些方面的作用是传达对音乐结构的特定解释。
This chapter emphasizes the role of performance in exemplifying structural aspects of the music through expressive gradients, discontinuities, and contrasts. It embeds several ingenious experimental studies within a theoretical framework that emphasizes the importance of hierarchical mental representations as a means of controlling performances. It gives an account of generative principles involved in music performance at two levels. One level deals with the representation of musical structure in a form that gives a coherent and intelligent input into a motor system. The second level at which generative principles are identifiable is in the production and control of the expressive aspects of performance, which function so as to convey a particular interpretation of a musical structure.