Performing hardness: Punk and self-defense in Mexico City
Performing hardness: Punk and self-defense in Mexico City
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表演难度：墨西哥城的朋克与自卫
DOI：
10.1177/1367877916688503
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发表时间：
2018
影响因子：
2.1
通讯作者：
Kelley Tatro
中科院分区：
文献类型：
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作者：
Kelley Tatro
甚至在“毒品战争”使墨西哥因极端暴力事件而成为国际关注的焦点之前，墨西哥城就已经因暴力和不安全而闻名。对于城市青年居民来说，他们所经历的多种形式的暴力往往包括警察对青年文化的压制。自20世纪70年代朋克摇滚来到墨西哥城以来的几十年里，朋克现场的参与者已经发展出一种自卫的话语，作为他们对日常生活中各种暴力行为和威胁的回应的一部分。基于在墨西哥城的民族志实地考察，本文详细介绍了朋克现场参与者如何使用周围的音乐表演的工具，宪法的“硬”科目的做法，表演暴力作为一种手段，保护自己免受当代生活在墨西哥城市的困难。
Even before the ‘drug war’ put Mexico in the international spotlight for episodes of extreme violence, Mexico City had developed a reputation for violence and insecurity. For young city dwellers, the multiple forms of violence they experience have often included police repression of youth culture. Over the decades since the arrival of punk rock in 1970s Mexico City, punk scene participants have developed a discourse of self-defense as part of their response to the various acts and threats of violence that inform their daily existence. Based on ethnographic fieldwork in Mexico City, this article details how punk scene participants use practices around musical performance as tools for the constitution of ‘hard’ subjects, performing violence as a means of protecting themselves from the difficulties of contemporary life in urban Mexico.