Pitch, harmonicity and concurrent sound segregation: psychoacoustical and neurophysiological findings.

Pitch, harmonicity and concurrent sound segregation: psychoacoustical and neurophysiological findings.
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DOI:
10.1016/j.heares.2009.09.012
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发表时间:
2010-07
期刊:
影响因子:
2.8
通讯作者:
Oxenham, Andrew J.
Oxenham, Andrew J.
中科院分区:
医学1区
文献类型:
--
作者:
Micheyl, Christophe;Oxenham, Andrew J.

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谐音复调是语音和音乐中特别重要的一类声音。虽然这些声音包含多个频率成分,但它们通常被视为一个连贯的整体,其音高对应于基频(F0)。然而,当两个或多个谐波同时出现时,例如,在鸡尾酒会或交响乐中,听觉系统必须分离谐波并将它们分配到各自的f0,以便形成对不同声源的连贯和真实的表示。在这里,我们回顾了心理物理学和神经生理学(单单元和诱发电位)的发现,这些发现为听觉系统如何以及如何完成这项任务提供了一些见解。本文对设计用于估计多个f0和分离并发源的计算模型进行了调查,随后回顾了关于并发谐波(包括元音)的感知和神经编码的实证文献,以及使用带有“失谐”谐波的单个复杂音调获得的发现。
Harmonic complex tones are a particularly important class of sounds found in both speech and music. Although these sounds contain multiple frequency components, they are usually perceived as a coherent whole, with a pitch corresponding to the fundamental frequency (F0). However, when two or more harmonic sounds occur concurrently, e.g., at a cocktail party or in a symphony, the auditory system must separate harmonics and assign them to their respective F0s so that a coherent and veridical representation of the different sounds sources is formed. Here we review both psychophysical and neurophysiological (single-unit and evoked-potential) findings, which provide some insight into how, and how well, the auditory system accomplishes this task. A survey of computational models designed to estimate multiple F0s and segregate concurrent sources is followed by a review of the empirical literature on the perception and neural coding of concurrent harmonic sounds, including vowels, as well as findings obtained using single complex tones with “mistuned” harmonics.
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