The tartan portraits of Prince Charles Edward Stuart: identity and iconography
The tartan portraits of Prince Charles Edward Stuart: identity and iconography
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查尔斯·爱德华·斯图尔特王子的格子呢肖像：身份和肖像
DOI：
10.1111/j.1754-0208.1998.tb00222.x
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发表时间：
2008
影响因子：
0.4
通讯作者：
R. Nicholson
中科院分区：
文献类型：
--
作者：
R. Nicholson
摘要 (zh) 查尔斯·爱德华·斯图尔特王子穿着格子呢的流行形象在苏格兰历史神话中占据了中心地位，并成为詹姆斯二世党人王子及其抱负的视觉隐喻。其中大部分起源于 19 世纪。但很大一部分原因是当代人们自觉地将查理提升为苏格兰高地救世主。认为正是通过肖像画这一媒介，这一举措才得到了最大的推动力。
Abstract (en) The popular image of Prince Charles Edward Stuart as a figure dressed in tartan has assumed a central place in the mythologies of Scottish history and has become something of a visual metaphor for the Jacobite Prince and his aspirations. Much of this has its origins in the 19th c. but a great part was a consequence of a contemporary self-conscious promotion of Charles as a specifically Highland Scottish saviour. Argues that it was through the medium of portraiture that this initiative was given its greatest impetus.