The revenge of Me and THE BAND’its: A narrative inquiry of identity constructions in a rock band of ex-inmates

The revenge of Me and THE BAND’its: A narrative inquiry of identity constructions in a rock band of ex-inmates
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我和乐队的复仇:对前囚犯摇滚乐队身份建构的叙事探究

DOI:
10.1080/08098131.2014.967713
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发表时间:
2015
影响因子:
1.6
通讯作者:
Brynjulf Stige
Brynjulf Stige
中科院分区:
医学3区
文献类型:
--
作者:
Lars Tuastad;Brynjulf Stige

文献摘要

被引文献

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本文探讨了一个由刑满释放人员组成的摇滚乐队“我和乐队”中的实践社区、摇滚文化和身份建构等主题。使用叙事研究的方法,两个特定的场景提供了两个叙事的研究背景。第一个故事源于一场戏剧性的危及生命的持刀袭击,乐队的主唱几乎被杀。考虑到不同的暴力选择,我和乐队决定采取报复,而不是采取传统的报复。第二个故事的背景是乐队和社区文化管理部门就一个表演作品进行的谈判。与官僚主义和繁琐的制度会面导致了挫折,但同时加强了乐队的内部联系。这导致了他们决定通过发展他们音乐的技能和真实性来进行“另类报复”。《我和乐队》以音乐代替传统的暴力复仇方式,可以被视为对传统惩教方法的创造性调整。Me and THE BAND在这个过程中所使用的资源主要是他们的摇滚乐队建立的实践社区。我和乐队是嵌入在摇滚文化,使用改变作为一个战略剧目的身份建设。总之,成员的身份在实践社区中得到界定和加强。
This article explores the themes of community of practice, rock culture and identity construction in Me and THE BAND’its, a rock band of ex-inmates. Using a narrative inquiry approach, two specific scenarios provide the background for two narratives being presented in the research. The first narrative is rooted in a dramatic life-threatening knife assault in which the lead singer in the band was almost killed. Considering different violent options, Me and THE BAND’its decided to take revenge by not taking conventional revenge. The context of the second narrative is the negotiation between the band and the cultural administration of the community about a performance production. Meeting with a bureaucratic and cumbersome system led to frustration but at the same time strengthened the inner bonds in the band. This resulted in the decision to take “alternative revenge” by developing skills and authenticity of their music instead. Me and THE BAND’its alternative action of doing music instead of taking revenge in traditional violent ways can be viewed as creative adjustment in opposition to the traditional approaches of the Correctional Services. The resource being used by Me and THE BAND’its in the process is mainly the community of practice that their rock band establishes. Me and THE BAND’its is embedded in rock culture, using alteration as a strategic repertoire for identity construction. In conclusion, the identity of members is defined and reinforced in the community of practice.