Schemata, scripts and the gay issue in contemporary dubbed sitcoms
Schemata, scripts and the gay issue in contemporary dubbed sitcoms
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当代配音情景喜剧中的图式、剧本和同性恋问题
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发表时间：
2010
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通讯作者：
R. Valdeón
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作者：
R. Valdeón
本文考察了美国情景喜剧《威尔和格蕾丝》西班牙语译制版中“gay”、“homosexal”、“queer”和“fag”等术语的翻译选择。首先，我介绍了该计划的主要特点，然后继续介绍翻译研究中与同性恋相关的问题的研究。借鉴Fairclough的话语方法，下一节讨论了这里使用的“图式”和“脚本”的概念，并将它们与身份的概念联系起来。词汇“同性恋”，“同性恋”，“酷儿”和“同性恋”的演变进行了检查（休斯1991年;艾伦和伯里奇2006年），然后在原始计划以及西班牙语版本中提供首选的数据。贝克（1992年）的词对等策略将被用来确定是否使用否定词，如“marica”和“maricon”适当地取代源语言的术语，“同性恋”。文章最后讨论是否dysphemic性质的条款占上风，是否保持传统的图式。
This article examines the translational choices in the Spanish dubbed version of the American sitcom Will & Grace for the terms ‘gay’, ‘homosexual’, ‘queer’ and ‘fag’. Firstly, I introduce the main features of the programme before moving on to present research on gay-related issues within Translation Studies. Drawing on Fairclough’s approach to discourse, the next section discusses the concepts of ‘schemata’ and ‘scripts’, as used here, and relates them to the concept of identity. The evolution of the lexical items ‘gay’, ‘homosexual’, ‘queer’ and ‘fag’ is examined (Hughes 1991; Allan & Burridge 2006) before presenting data on the preferred choices in the original programme as well as in the Spanish version. Baker’s strategies for word equivalence (1992) will be used to establish whether the use of negative terms such as ‘marica’ and ‘maricon’ aptly replace the source language term, ‘gay’. The article concludes with a discussion of whether the dysphemic nature of the terms prevails and whether traditional schemata are maintained.